Almost two millennia after it was written, The Golden Ass is still a rollicking good read. I recognize that this may in part be thanks to the translator (I was reading the Kenney version in the Penguin Classics edition); but I think it is also attributable to the book's mastery of the fundamentals of narrative construction. To study it, therefore, is to gain some insight into the basic elements of effective storytelling. I propose to offer such a structuralist reading here.
I would challenge anyone to pick up the novel (the only full-length work of its kind in Latin to survive from classical antiquity) and not be drawn in. What first wins one over to the book is the author's confiding tone. He introduces us to a hapless but fundamentally plucky narrator (who shares more than one trait in common with his creator, including a career as an advocate). And from the first paragraph of the book on, the author/narrator promises us a good time, including lots of juicy gossip.