Of all the "experimental" and "avant-garde" novelists of the twentieth century, B.S. Johnson's work has lasted in a way that others' simply has not. (Who rests in Robbe-Grillet's mean flattery now?) And I can't help the feeling that his books succeed for reasons largely if not wholly unrelated to their formalistic experiments and convention-breaking eccentricities.
The things one most remembers from Albert Angelo, say, are the hideously realistic portrayals of life as a substitute teacher in working class England—not the pieces of paper cut out from the text. But then again, I have to ask myself—did I only pick up the book in the first place because of its formalistic experiments?