I admit that I haven't followed very closely the news this summer about Trump's ever-multiplying D.C. construction projects—the White House ballroom, the planned "Arc de Trump," the "Garden of Heroes," the "Reflecting Pool," and lord knows what else. Every time I see a headline about one of these stories (and they come at us almost daily now—viz. the latest this week about the Supreme Court's acquiescence in the ballroom litigation), I tend to scroll past it—thinking "bah, we have bigger fish to fry here people!"
But I really shouldn't think that. Trump's redesign of our nation's capital is actually central to his larger authoritarian project. It's his way of symbolically burying the old America and the old D.C.—the "capitol of a lost republic," as John Dos Passos called it (in his capsule biography of La Follette). Trump is driven to build in order to pave over the America that was—and to put some new gaudy wasteland in its place that will bequeath to posterity the essence of his tinsel soul.